Dutch-Ghanaian experimental jazz whizz, Bnnyhunna, has released his debut album, Echoes of a Prayer. This marks a significant milestone for the artist who in the last few years has racked up a bevy of achievements from scoring Paris Fashion Week performances to backing Asake with his bass skills on the critically-acclaimed Lungu Boy and composing an original score for the Dutch National Opera.
Echoes of a Prayer leans into Bnnyhunna’s West African heritage sonically and draws from the conventional experience of growing up in the church. On the project, elements of 70s era funk and highlife grooves exist harmoniously in the same sphere as contemporary hip hop rhythms, jazz undertones, and gospel choirs — all of which showcase his versatility. Each song is carefully crafted to represent different facets of Bnnyhunna’s artistic vision.
Right off the bat, “Prayer” featuring Tallulah Rose and QUANZA opens the album with organ notes that immediately transport into the sanctuary of a church. The Cavemen and Jembaa Groove offer a spirited touch on with rhythmic afrobeats and highlife on “Communicate”. “Should’ve Been You” blends smooth jazz and r&b to evoke romantic longing. The guitar riffs on “Avanti” offer moments for contemplation and reflection.
Bnnyhunna will be supporting KOKOROKO across their European tour dates in November.
