
Miedjia: “I’d Rather Be Inspired by the Exceptions Than by What’s Normal”
An Ivorian artist with a distinctly creative spirit, Miedjia is building a musical universe where rap, R&B, electronic influences and popular sounds intersect. Also a
An Ivorian artist with a distinctly creative spirit, Miedjia is building a musical universe where rap, R&B, electronic influences and...
Over four decades ago, a young woman from Ouidah, Benin, picked up a microphone and did something deceptively simple: she...
TOP STORIES NEWSLETTER
By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.
An Ivorian artist with a distinctly creative spirit, Miedjia is building a musical universe where rap, R&B, electronic influences and...

An Ivorian artist with a distinctly creative spirit, Miedjia is building a musical universe where rap, R&B, electronic influences and popular sounds intersect. Also a

With his latest singles “Tetemesha” and “Vimajor”, the rapper taps into the energy and attitude of early 2000s Kenyan pop genres, Genge and Kapuka, while giving them a fresh life through his contemporary sound.

The Nigerian Afrobeats artist is more than ready to go further in his music career.

The South London rapper and Nigerian Afrobeats star speak to Rolling Stone Africa about finding common ground, filming in Lagos and building a bridge between two musical worlds.

If voice alone could shoot an artist into stardom, Solostly would have become a global star.

Grammy winner Matt B’s latest project, ALKEBULAN III: The Water Remembers, is a musical journey from generations of separation to reconnection.

The Birmingham-based Nigerian artist steps into his solo era with a soulful blend of reggae, dancehall and Afrofusion.

The Kenyan singer, songwriter, and producer reunites with KayCyy on “On My Own” and embraces vulnerability on “Let Them Know.

The Nigerian artists are ready to take over the world with their unique sound.

Over four decades ago, a young woman from Ouidah, Benin, picked up a microphone and did something deceptively simple: she sang. But she did not