When we asked her, how would you define your music style, she said :
A music that makes you move, feel, and dance. It’s pure energy, full of rhythm and heart. But beyond that, my songs carry a message: they empower women, encouraging them to embrace themselves, to feel beautiful, strong, and free. My inspiration comes mostly from my Congolese roots-the musical richness, the warmth, those percussion sounds that grab you from the very first note. I blend them with more modern influences to create a style that truly reflects who I am: feminine, powerful, and unapologetic.
With a career launched in 2017, Rebo Tchulo quickly established herself as one of the most promising voices on the Congolese music scene. She first gained recognition with tracks like “Cœur Fragile” (2017), “Biloko” and “Ni Nani” (2019), and “Mbote” (2020), before truly breaking out with “Pepele” in 2021. Winner of the Best Female Artist in Central Africa award at the AFRIMA Awards in 2021, Rebo has also made a mark with her collaborations with Innoss’B, notably on “No No” (2019) and the remix “Mputu Meya – Loketo” (2023), which showcase their strong artistic chemistry and ability to create buzz.
After a period as an independent artist, Rebo recently signed with Warner Music, marking a new chapter in her career.
To mark this special “Future of Music” cover, of which Rebo is a part, she agreed to answer a few of our questions…
"In my opinion, what makes Congolese music so unique is above all its unmistakable rhythm and the raw energy it radiates."
Face of RSA “Future of Music”
You are part of Rolling Stone Africa’s “Future of Music” selection. What does it mean to you to be considered an artist who embodies the future of music?
I am very honored and deeply touched to be recognized in the Future of Music selection by Rolling Stone Africa. As a Congolese artist, it is a true source of pride to see my work highlighted. The journey hasn’t always been easy, but I have fought hard, always keeping my head held high. This recognition gives me even more strength to keep moving forward, to represent my country, and to inspire through my music.
Future of Music: Evolution & Vision
How do you view the evolution of music in recent years?
And what makes Congolese music so unique ?
In my opinion, what makes Congolese music so unique is above all its unmistakable rhythm and the raw energy it radiates. Every note, every beat carries a vibrant force and a warmth that instantly makes you want to move, to feel it, to live it. It’s generous, vibrant music that speaks as much to the heart as to the body. That’s why it’s so widely appreciated across Africa-it doesn’t just make itself heard, it makes itself felt.
I think Afro-Caribbean music, especially zouk, has taken an exciting turn in recent years. It has become more modern, more daring, while keeping that warmth and sensuality that make it so special. What I love is the freedom artists now have to blend genres: afrobeat, dancehall, amapiano, RnB… That’s exactly the spirit I bring to my own music-adding a sensual, unapologetic touch, but always staying connected to our roots. I truly believe the future of Afro-Caribbean music belongs to this new generation of artists who dare to break the mold. Artists like Maureen, Bamby, and Kalash are great examples-they’ve stayed true to their identity while reaching out to the world. I also recommend following artists like Fallon, Léa Churros, and Nesly, who are reinventing zouk love in their own way. The world is ready to vibe with us.
Futuristic Music Collab
If you could imagine a future collaboration-whether unexpected or simply one you’d be proud to share with your community in the coming years-which African or international artist would it be, and why?
To be honest, I don’t have a specific name in mind for a future collaboration. I remain open, but I pay close attention to authenticity and artistic energy. For me, a collaboration has to be natural, vibrant, and above all, aligned with my musical vision. I want to build something strong and sincere, with an artist who shares the same values and the same desire to make our music shine. That said, I do have a few names in mind like Damso, Aya Nakamura, Ronisia, Ruger, Tems, Ayra Starr, or the great Angélique Kidjo. I’m taking my time, because I know the right people will come at the right moment.
As a female artist working in the DRC, what strengths do you think you have in an industry where male artists are the majority? And in your opinion, what is the main challenge for a Congolese female singer who wants to make it internationally?
Working in a predominantly male environment has never been easy. You have to work twice as hard to earn your place and be respected. But I’ve always kept my head high, with unwavering determination. I give my all, I work hard, with the discipline and mental strength often attributed to men-because I know where I want to go. My ambition is to proudly represent Congolese women on the international stage. The biggest challenge is overcoming cultural barriers and stereotypes, and making my voice heard in a world that isn’t necessarily waiting for us. But with passion, resilience, and a clear vision, I am convinced that anything is possible.
You’ve already worked with big names and won over a large audience. What is your biggest dream or project for the next stage of your career?
My biggest dream today is to collaborate with even more major figures in music, to take Congolese music beyond our borders and give it the place it deserves on the world stage. I want to keep raising my country’s flag high, while staying true to myself-with my head held high, my passion intact, and an ongoing desire to grow.
